![]() If you're looking to quickly retouch a photo taken on your iPhone that's in Apple's cloud already, it's a near-seamless solution. What I LikedĪpple Photos and Affinity Photo make for a more powerful combination than I first thought. Enter Serif's Affinity Photo and its extensions for Apple Photo.Īffinity Monochrome lets you fine-tune a black-and-white conversion right from the Photos app. Apple's Photos is nowhere near the level of usefulness. Since Aperture was abandoned, I've been casting about for an alternative. ![]() All you needed to do was open the library file you were working with in one or the other. It was also the fact that you could easily switch between having a simple, quick interface that integrated with online image-sharing services, most prominently Apple's own photostream and iCloud, by using iPhoto, and one that let you do most of what I would typically need to do to an image by using Aperture. While Aperture was a good program, this was a bad decision.įor me, the draw of Aperture when it was still current was not only its much lower price point than Lightroom, or its seamless integration with a Mac-based workflow. I loved Lightroom when it first came out in a beta version, but stopped using it in favor of Apple's Aperture a few years later. Although I've worked with some version of the grand master of editing programs – the one that became the default to the point where its name is now a verb – on and off for over a decade and a half, the two of us never clicked. The obvious question regarding this combination is likely some version of "Yes, but… why?" Fair enough. Adobe says that "this happens if you disable background processes for an app (in this case, it's Creative Cloud mobile), and the app hasn't been opened in a month." Basically, Adobe wants to make sure you're up-to-date on your subscription.Affinity Develop adds much-needed functionality to Apple Photos's brightness and color editing options. It does give you a display-only render of the typeface and asks if you want to substitute a system font. To reinstall them, open the app." Though the CC app will give you a list of fonts that have previously been installed on the iPad, you still have to reinstall them one at a time - there's no reinstall all - and there's no way to do it from within a document (in other words, if a font is displayed as missing, have a one-touch "install missing font" option). Every paste or import creates a new layer.Īnd when I returned after a while without using it (only a month), I was greeted with the message "Creative Cloud font authorization has expired. In fact, you can't replace the contents of a layer in any way, which adds to the file size problem unless you're constantly managing layers. Want to copy a mask from one layer to another? You can't just cut and paste it. And forget about creating a mask from a complex grayscale image. You can't fine tune automasking's sensitivity threshold for determining what constitutes a match, the same drawback that applies to the only other selection shortcut, select similar. ![]() But there's no feathering, antialiasing or refine controls for automask, and those other three 30-year-old tools only have feathering. ![]() It also has an automatic edge refinement option.Īt least on desktop, you've got tools to fix selections. Object Selection advances that a bit it's essentially Select Subject but allows you to define the area from which it should automatically extract. It's possible the defaults are different, or that it could result from computational constraints on mobile vs. It seems like the iPad version is more aggressive, with deeper antialiasing, color decontamination, feathering or something. While Select Subject makes the same decisions on both mobile and desktop - it should since it's using the same Adobe Sensei AI technology for it - the edges on each differ. The few errors on this one-click Select Subject mask are easily fixed, but it's also a big, clearly delineated subject on a simple background.
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